Monday 12 April 2010

After a chat with Dan Dalli and a moment of madness, I took the decision to work solely on Polished Off, as I was concerned about the amount of shots that had to be lit and composited. I knew I would not be able to do all of this for both projects, so we agreed that Simon would be responsible for the lighting and compositing on SPLAY. But soon after this decision had been made I regretted it, as this was not where my main interests lie. I had committed a lot of time to helping Phil develop the story and I wanted to see this through to the end result. Phil also felt that it was only him working on the project. It is only fair that I should contribute my time fully to SPLAY but at the same time supervising Simon on Polished Off.

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